171/365 copper clay

Still playing around with the copper clay, I formed this over an ovoid shape I had made out of cork clay. Once it was dry I carved the holes with ball and setting burrs and fired it with a torch, burning the cork away. I have had no luck soldering the fired copper or shibuichi clay to sterling silver, after three attempts I finally epoxied this one together.

170/365 echo ring

This is not a new design, I made it for a very patient friend. When I made the first one like this, Jaqki Withycombe called it my echo ring, and I love that. Copper and sterling silver.

158-169/365 apoxie sculpt

My neighbor lent me some Apoxie Sculpt to play with when he saw me out in the backyard making model magic rings. This material is great, it sticks to just about anything and after it sets up can be sanded, carved, and filed very easily. I painted some, colored two with sharpies, and left some the grey color of the apoxie sculpt.

carved with a ball burr and file

carved with a ball burr and colored with sharpie markers

carved with a ball burr and colored with a sharpie marker

157/365 premature pinecone

my etsy shop lives!

I have sorely neglected my etsy shop for nearly a year now, tonight I finally made time to list some new items, more will be added thoughout the course of the week. Here are some of the new pieces, I will be listing quite a few RAD rings as the year continues to unfold.

Sterling Silver, Copper, and Shibuichi Pelvis Necklace

Sterling Silver Vertebrae Ring with Patina

Sterling Silver and Etched Copper Cuff Bracelet

Etched Brass and Sterling Silver Ring

am I a metal artist?

Untitled, 2006. Wood, paint, wire, more than 2000 paper clips.

Today the Handmade Division is blogging on the topic, "Do you consider yourself to be only a (metal) artist?". An interesting question and one I've been thinking about lately as I become more involved with various metalsmithing communities online.

I do not think of myself primarily as a metal artist or metalsmith, I'm a conceptual artist who happens to be working with metal. My MFA is in Fiber Art and I worked with textiles for 15 years before moving to mixed media, and eventually metal three years ago. Perhaps I will become interested in painting or ceramics one day, I have no idea. I can't imagine limiting myself to one medium for the rest of my life.

Front View, 2000. Canvas, thread, glass beads.

I do not consider any of my wearable, everyday jewelry pieces to be art objects. I think of them as design exercises, as well as a means for me to support myself while improving my craftsmanship and metalsmithing skills. That body of work appeals to my interest in the process over the product and is firmly based in craft and craftsmanship.

Necklace, 2010. Sterling silver, copper, brass.

My conceptual work is my art, these objects are primarily about the expression of ideas; craftsmanship, while still very important, is always secondary to this expression.

Don't!, 2010. Nickel silver, sterling, copper, aluminum door bolt.

I really like working this way, moving back and forth between design and art. For years after grad school I put a lot of pressure on myself to make nothing but conceptual work, which is hard for me because my art tends toward sociopolitical commentary, and that's difficult to conjure up - it has to come from my gut, organically. Making wearable, design-based pieces takes away the pressure to produce and allows me to remain happily creative without added stress. I sell enough of my everyday jewelry that I don't have to worry about making money with my art, so those objects can remain authentically mine and aren't subject to the vagaries and influences of the market. It's a nice arrangement.

Please visit the other members of the Handmade Division to read their views:

Andes Cruz
Jewelry by Natsuko
Lisa Hopkins Design
Abhaya Fibers
ArtJewel Designs
Susan Moloney
Bill Martin
Tamra Gentry
Maureen BZ (Cosmo’s Moon)

is jewelry functional?

Is jewelry functional?

I've been thinking about this quite a bit lately, as it relates to the art vs. craft issue (don't worry, I'm not gonna beat that dead horse). I think an object needs to be functional to be considered craft, and I'm not sure that personal adornment qualifies as a function. If it does, then aren't paintings made in part for wall adornment? Now it sounds silly.

Or is the function of jewelry to interact with the body and become a vehicle of self-expression for the wearer? Does that make it fashion?


Certainly jewelry has had many functions throughout history. Beads have been used as currency for thousands of years, and in many societies a family's wealth is still largely kept in jewelry made from precious metals and gems. In some cultures the ruling classes show their status and power by draping the body with jewels, in fact it is only relatively recently that the lowest castes in India have been allowed to possess fine diamonds.


Here in the US people display wealth and status by driving big cars and wearing big rocks. But this discussion is not about the plethora of mass-produced jewelry made for stone transport - it's about unique, artistic pieces made by individual artisans. Nor am I referring to conceptual jewelry, which I consider art that is unconcerned with function.

It seems to me that craft objects are functional in a way that creates action in and on the world around us. We fill a bowl with fruit, we sit in a chair, we use a knife to dice zucchini. Where does jewelry fit in?

*6/14/10 I posted a link to this discussion on Facebook and had some very interesting responses, here are a few of my favorites:

"Jewelry is functional only if you can open a beer bottle with it."

"The iron bangle 'Kara' that all Sikh people wear on their wrist is perfect for popping the top of an frosty bottle of Guru Nanak beer... also In India, warrior Sikhs are still seen wearing several karas of large sizes, designed to be used as a weapon in hand to hand combat."

"Lots of African peoples used to have pieces of jewelry that served as both weapon and decoration. Try knife-blade bangles - OUCH"


"I think jewelry is just a medium, like paint. It depends what you do with it. Paint a wall, paint your face, paint a canvas. Same with adornments, the form can be used for anything from the most conformist trendy fashion statement to artful sculpture...and everything in between. I love that it's primordial. People don't even know why they feel an impulse to adorn themselves. They just do."